Save the Bees - Sold!
Posted in Etsy on 04.23.08
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Save the Bees on Flickr

I’m so excited this little set of buttons just sold. They were such a fun little experiment. I’ll have to do some more now!

More on the details of the stitch work and such.


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Embroidered Animation
Posted in Inspirations on 04.17.08
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I haven’t been posting much on this site, because I’m still working on the same things I’ve been working on for a couple of months!

So in the meantime, please enjoy this animated embroidery. It’s really quite an amazing video.


Architecture in Helsinki - Like It Or Not from helsinkids on Vimeo.


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3 Distinct Styles
Posted in Notebook on 03.18.08
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Many Styles of PeelaPom Embroidery

I’ve been noticing lately that my work is settling into three distinct styles:

  • Embellished Fabrics (left)
  • Representational (center)
  • Abstract (right)

I suppose I could separate out the Tambour-style pieces as a separate style, but when I looked at them next to the other abstract pieces, I could feel a strong similarity. I seem to be drawn strongly to the abstracts right now. When I look at the overall work I’ve done in the past few years, it’s definitely heavily weighted in that direction. What got me thinking about this is the set on Flickr that has all the embroidery work, regardless of what other set I might put it in.

At first I was feeling very disjointed — like I couldn’t make a decision about who I am as an artist. But looking at the work, I could see not only a progression over the years, but also common threads across the styles. A love of curves and flowing lines definitely seems to be a unifying factor of the work from the past couple of years. The flowing running stitch lines as “filler” is definitely becoming a bit of signature. I don’t really consider it filler. For me it’s often intended to represent Shekhinah, or the Divine Presence. It’s something we don’t often see in our everyday lives, so why should people see it in my work? ;)

It’s silly, but this little personal artistic style inventory has really made me feel good about my progression as an artist over the years!


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Lilith Study - ACEO

Lilith Flys Away - ACEO

Size: 3.5″ H X 2.5″ W
Materials: Silk, Glass Beads, Cotton Floss, Ribbon, Guinea Hen Feathers
Stitches: Running, Bullion, Blanket Stitch, Beading
Status: Available on Etsy

This is my first study for “Lilith Flys Away.” Normally I just go from sketch to full scale versions, but I felt like doing a “proof of concept” first with this piece. I’m pretty happy with the study. This study is 2.5 x 3.5, which is the standard size for an ACEO (Art Cards, Editions and Originals). I’m finding myself drawn more and more to mixed media work. I’m still doing some straight embroidery work, but the mixed media feels like a better way to really express ideas.


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Lilith Sketch
Posted in Notebook on 02.21.08
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Lilith Sketch

This design came to me in an absolute flash of inspiration. When Lilith starts talking, I stop what I’m doing and pay attention. Apropos of nothing, I started seeing elements of a 6×6′ design of her and immediately grabbed my notebook and started to sketch and make notes. I’m very excited about this one and may put the Sunrise Mizrach down to work on this, once I have all the materials I need. I don’t always know exactly what I want for a piece, so it’s pretty interesting to completely channel a design and all the materials in one sitting.

She’ll make a great companion to the Queen of Sheba I did a while back. I hadn’t intended to do an abstract Lilith, but I guess I am now. I don’t know if you can read my scribbles, but the view is of Lilith flying away from Adam. Her body is an hour glass and I think I’ll give it the look of sands running through it for a little “memento mori.” I’ll use real feathers for her wings. I have some stunning guinea hen feathers that should work pretty well. I immediately saw her hair done with couched recycled sari silk yarn. I did some quick research online and it really is exactly the look I want. I’m debating between all reds or multi-color with emphasis on the red. The last major element is the cowrie shells in the corners. Those are both “yoni” imagery and hints of the seaside cave she flees to. Oh, and unlike Sheba which I did on black Dupioni silk, I’ll do Lilith on black leather.


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